Musing

Two articles by D. T. Potts about farming implements and food in the historical record of Arabia

I just found this great article that discusses references to cultivated plants by D. T. Potts [ https://nyu.academia.edu/DTPotts ]

Contributions to the agrarian history of Eastern Arabia I. Implements and cultivation techniques

1994, Arabian Archaeology and Epigraphy 5: 158 – 168, https://doi.org/10.1111/j.1600-0471.1994.tb00063.x

This paper focuses on early agricultural implements in eastern Arabia, examining four hoe blades and an ard share ranging in date from mid-2nd millennium B.C. through the Seleucid or Parthian period. These objects are considered in light of more recent ethnohistoric evidence pertaining to garden cultivation by hand and the plough in the region.

Contributions to the agrarian history of Eastern Arabia II. The cultivars

1994, Arabian Archaeology and Epigraphy 5: 236 – 275; https://onlinelibrary.wiley.com/doi/10.1111/j.1600-0471.1994.tb00071.x

https://www.academia.edu/1903825/Potts_1994_Contributions_to_the_agrarian_history_of_eastern_Arabia_II_The_cultivars

Following on from an earlier study of agricultural implements and cultivation
techniques in eastern Arabia, this paper presents the palaeobotanical and ethnohistoric
evidence available on early cultivars in the region from the late 4th millennium
B.C. through the premodern era. The introduction of new crops is discussed and,
where possible, the evidence is marshalled which pertains to the origins of those
new introductions and the dates of their arrival in the Gulf region.

New essay: ‘Zhe is for Bijan’ on the Arabic alphabet website

New essay: ‘Zhe is for Bijan’ on the Arabic alphabet website

by Michael Beard, illustrated by Houman Mortazavi

http://alifbatourguide.com/the-arabic-alphabet/zhe/

http://alifbatourguide.com/

excerpt of ‘Zhe is for Bijan’

Zhe is the third of the four Persian letters that have been added to deal with sounds you won’t hear in Arabic. The sound of Zhe is the S of “measure,” the J of French (jupe, jour, bijou, jus), or the common mispronunciation of the hard J in “Beijing.” It is for indigenous Persian words still in use after the arrival of the Arabic alphabet, a glimpse of an earlier language. Today it also allows for proper transcriptions of words borrowed from European languages. Zhânvieh (through French) for January, Zhâpon for Japan. Dehkhoda’s massive Loghat-nâmeh, the OED of Persian, includes Zhen for Genoa, Zhâmâ’îk for Jamaica, Zhakobît for Jacobite. The last example may be a key to his political affinities.

The letter J is used for Zhe words in contemporary Turkish, though there aren’t many of them. There is less than a page of J words in Redhouse’s 1,292-page dictionary, most of them loans from French. Nine of them are on loan from Persian.

Household Words

Before Zhe was devised, you would just use Ze (Arabic Za’) and assume the reader would recognize the word from context, spoken but not visible on the page. And then sometimes pronunciation of Zh words would adjust to what the Arabic alphabet was able to express. Zhang, “rust,” became zang. Zhang still exists, with the same meaning, but you won’t see it often. If you look up zhang in a Persian/Persian dictionary the definition is likely to be zang.

Sometimes a Zhe word will evoke the substantial, resonant or sublime, as with the word zharf, “deep, profound.”  It’s a respected Zhe word, the only Zhe entry in A.K.S. Lambton’s shorter Persian Vocabulary. And sometimes a Zhe word will send us back to the heroic world of pre-Islamic chivalry, as in Ferdowsi, like zhubin, a spear.’ More frequently, though, the Zhe words which persisted over the evolution of New Persian, the ones that slipped through the 28-letter Arabic mesh, are the words closest to home, the intimate ones: household words, words for the ordinary, humble and non-heroic. Often you have to dig through those dictionaries which include the obscure and forgotten to find them. Zhakfar means patient, meek, mild. Zhakâreh is quarrelsome, squabbling. Zhan means deformed. (A cultured Iranian friend has never heard of the last three. It’s a good thing we have dictionaries.) Zhulideh, definitely still in use, is to be disheveled, tousled, scattered in the wind. Zhendeh, also a linguistic survivor, means old, worn out, frayed, or a patched garment. Imperfect things can be a source of praise too. Hair which is zhulideh is a source of fascination. Patches or patched clothes can be the clothes of someone who has taken a vow of poverty, a mystic. Zhendeh is a positive image, as you can see in a couplet of Hafez:

Chandân bemân ke kharqeh-ye azraq konad qabûl
bakht-e javân-at az falak-e pir-e zhendeh-push

[Stay as you are (or perhaps “be patient . . .”) until the sky’s patched blue (azraq) coat grants to you, though you are young, a spiritual elder’s patched robe (zhendeh).]

Bibliographies on topics connected to Dhofar, Oman

(photo by S. B.)

Bibliography of the Modern South Arabian languages, compiled by Janet Watson and Miranda Morris, updated October 2021

https://www.researchgate.net/publication/345983960_Bibliography_of_the_Modern_South_Arabian_languages_Compiled_by_Janet_Watson_and_Miranda_Morris

Bibliographies I have compiled

Houseways

Pre-historical and Historical Houseways in the Dhofar Region: Selected References

Foodways

Updated bibliography from my research on Foodways in Southern Oman

Selected Bibliography: Animals, Birds and Fish in Southern Oman

What I’ve Been Reading: Food, Cooking, Cuisine, Culture, Anthropology, & History

General

Bibliography of Works Consulted for Research on Dhofar, Oman

Annotated Bibliography of Texts Pertaining to the Dhofar Region of Oman

Short bibliography of books about Dhofar in Arabic

Teaching Literature

Selected Bibliography: Primary and Secondary Texts for Literature Teachers on the Arabian Peninsula

Houseways: House plans

(drawings by Maria Cristina Hidalgo, https://www.mariacristinah.com/ )

Below are three houseplans with comments to help illustrate living spaces in Dhofar.Model

House 1 – It is easy to note that this is an older house, probably built in the 1980s or 90s, as it has the salle as the main, not separate, room. The second (back) door is also built off the salle, not from the kitchen as is usual in more modern houses. The unmarked room would be for storage. Also note that the internal door to the majlis opens directly into the salle; now there is usually a short hallway, or at least the entrance is set at an angle so there are no direct sight lines.

Model

House 2- Note that now the salle is now a separate room and there are two doors between the  majlis and the rest of the interior of the house so that the house feels more segmented. Also there is an internal door in the hallway, to give the two back bedrooms more privacy.

IMG_2010

House 3 – built approximately 2010.

These three examples show how the trend in housing is towards creating more closed off/ divided spaces. In house 1, a person sitting in the salle would have visual access to anyone coming or leaving; in house 2 someone in the salle could see the front door but in house 3 only a person sitting opposite the salle entrance could know who was coming or leaving. Likewise in house 1, someone in the kitchen could hear what was being said in the salle; in house 2, it would be more difficult but one could hear the sounds of people in the hallway. In house 3, the kitchen is very cut off from the rest of the house. In both houses 1 and 2, the majlis is separated from the rest of the house by the bathroom area and two doors. 

Houseways: Dhofari/ non-Dhofari house plans

Houseways: Including/ Excluding Expats in Discussions about Housing

Houseways is published and more examples of houseplans

I am pleased to announce the publication of my essay “Questions about Food and Ethics”

“Questions About Food and Ethics,” in Emanations: When a Planet was a Planet. Brookline, MA: International Authors, 2021. 403-408.

(photo by Salwa Hubais)

selection from “Questions about Food and Ethics”

Is there a benefit to stating kind intentions? Should you explain that you planned to do something thoughtful (but couldn’t actually do it) or simply keep quiet? I would like to use this question as a starting point to think about how what’s “good” and “right” in terms of eating and disposing of food as perceptions can change dramatically between cultures.

What interests me about this topic is the question of whose ethics are you talking about? A behavior which makes perfect sense in one culture, looks odd in another. There is no way to resolve the issues with one ‘best’ answer, but I think it’s helpful to see examples of how ethical systems differ.

First, if I bring cookies to a picnic, I don’t want to open the package because if no one wants them the cookies will get soggy from the humidity and the cookies will be ‘wasted.’ This is not acceptable in Oman. I should open the box, pass the cookies around and then set them out for birds if no one eats them.

I don’t want to feed the birds, especially not my prized Fortnum and Mason cookies but in Dhofar it is shameful to bring something to a picnic/ group meeting and then try to leave with it. If you have brought any kind of prepared food or foodstuff, it should not return to your car and be brought back to your home. If I have brought cookies, either the box needs to be opened or I should give the unopened box to one of the men to give to his children.

A second example is that unwanted food is never spread on sand or dirt as that is seen as unkind to the animals. If there are no rocks, the food is left on pieces of plastic. A few times when I have tried to pick up the plastic that leftover food was placed on, not wanting to leave litter, I was told to leave it. The Gibali men in my research group pick up all the trash from campsites, but it is judged worse to put leftover food on sand than it is to leave it on plastic bags.

Leaving plastic on the ground is not just litter; when eaten by camels and cows, it can cause illness and death. But even a man who owns camels will leave food on a piece of plastic so foxes and birds can have ‘clean’ food, valuing the idea of making sure that the food is eaten, more than the idea of keeping the area clean and preventing a possible future harm.

“Altar Smoke” by Rosalie Grayer

I wrote my dissertation on travel writing and, while some people keep a St. Christopher medal for travel protection, I look for travel poems. This is one of my favorites.

“Alter Smoke” Rosalie Grayer

Somewhere inside me

There must have always been

A tenderness

For the little, lived-with things

A man crowds upon his worn fistful of earth.

Somewhere inside of me

There must have always been

A love

Made to fill the square aggressiveness of new-cut hedges,

And feed the pursed green mouths of baby leaves;

A love made to understand

The way grass cuddles up to porch steps leaned upon by time,

And why dandelions nudge the stones along the walk;

A love for the garden hose curled sleeping in the noon hush,

Coolness trickling lazily from its open mouth,

For shingles starched and saucy in white paint,

And an old rake rusty with dreams of tangled grass and butterflies.

A love

for candle flames, like pointed blossoms on their ghostly stems,

And frost-forests breathing wonder on the parlor windows.

Somewhere inside me

There must have always been

An altar of hewn stones

upon which my love casts these–

burnt offerings–

To make a sweet savor

Unto my soul.

 

Continue reading ““Altar Smoke” by Rosalie Grayer”

Houseways: House Construction, part 2

(photos by Onaiza Shaikh)

This is the second of two posts which show the stages of house construction in Dhofar. I am very grateful to Onaiza Shaikh for taking such clear and helpful photos of several houses to show the basic steps.

[Steps 1 – 6 are explained here: Houseways: House construction, part 1 ]

1 – prepare the plot by smoothing the ground and outlining the shape in white chalk

2 – excavating the footprint

3 – building a series of cement block squares that are painted with water-proof paint, then a rebar metal frame in placed inside and the inside is filled with liquid cement, then the surrounding space is re-filled with dirt

4 – creating the sub-base (plinth) and foundation slab by packing earth over the filled-in cement squares, then building up a low cement exterior wall (the outline of the house) and low cement block walls (the interior load-bearing walls), each of these sections are filled in packed earth then covered with a layer of cement – rebar is set into this foundation and sticks up from the smoothed cement base – the result is a base about one meter off the ground with smooth cement walls and a surface which is marked by the tops of cement blocks (6″ or more high) which show the outline of the interior walls

5 – building walls of cement block reinforced with columns of steel and cement (created from liquid cement that is poured into wooden forms constructed around the rebar)

6 – the house begins to take shape

(in this posting)

7 – poles are set up to support wooden forms for the ceilings/ roof/ floors of upper stories

8 – the second story is constructed

9 – the roof is poured using a stretch pumper and the roof wall is built

10 – the major construction is now finished and the house can stay in this unfinished state for months

11 – exterior finishing is added: plaster/ paint, windows and doors

12 – the boundary wall is built

Steps 7 – 9

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Steps 10 – 12

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Construction equipment

A note on house photos: I hired Onaiza Shaikh to take photos of design elements (such as windows) and house construction. Given that those photos show only a small part of the house or an unfinished house, it is not possible to tell whose house it is or where it is. Ms. Shaikh or I removed all identifying markers such as signs stating the owner’s name and any people, including workers. Photos of a complete house are a different matter. On one hand, I do not want to post a photo of a house that someone might recognize without the owner’s permission. On the other hand, if I post photos for which I have permission, i.e. photos of friends’ and informants’ houses, then many people in Dhofar will know the houses, thus know who my informants are. I have not yet figured out the answer to this problem.

Houseways: House construction, part 1

(photos by Onaiza Shaikh)

This is the first of two posts which show the stages of house construction in Dhofar. I am very grateful to Onaiza Shaikh for taking such clear and helpful photos of several houses to show the basic steps:

1 – prepare the plot by smoothing the ground and outlining the shape in white chalk

2 – excavating the footprint

3 – building a series of cement block squares that are painted with water-proof paint, then a rebar metal frame in placed inside and the inside is filled with liquid cement, then the surrounding space is re-filled with dirt

4 – creating the sub-base (plinth) and foundation slab by packing earth over the filled-in cement squares, then building up a low cement exterior wall (the outline of the house) and low cement block walls (the interior load-bearing walls), each of these sections are filled in packed earth then covered with a layer of cement – rebar is set into this foundation and sticks up from the smoothed cement base – the result is a base about one meter off the ground with smooth cement walls and a surface which is marked by the tops of cement blocks (6″ or more high) which show the outline of the interior walls

5 – building walls of cement block reinforced with columns of steel and cement (created from liquid cement that is poured into wooden forms constructed around the rebar)

6 – the house begins to take shape

(in second posting)

7 – poles are set up to support wooden forms for the ceilings/ roof/ floors of upper stories

8 – the second story is constructed

9 – the roof is poured using a stretch pumper and the roof wall is built

10 – the major construction is now finished and the house can stay in this unfinished state for months

11 – exterior finishing is added: plaster/ paint, windows and doors

12 – the boundary wall is built

Images for steps 1 – 3

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Images for steps 4 – 6

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Houseways: Dhofari/ non-Dhofari house plans

[illustration plan by Maria Cristina Hidalgo, https://www.mariacristinah.com/ ]

Sometimes you can only understand what is “normal” for you when you see the same object used differently or in a different place. That sudden shock can help you understand the unwritten/ unacknowledged rules of your culture.

One housing example is light switches. Americans who move to the Arabian Peninsula are confronted with 6 or 9 identical switches in a room or in a hallway. The switches will be placed higher than expected, almost shoulder height, and will be for the ceiling lights, wall lights and fans. As most ceiling lights are florescent which take a few seconds to turn on and the fan has a separate circular switch for speed-adjustment (but is also turned on and off by a switch) you can spend over a minute pushing switches trying to figure out how to turn things on and off. It’s even more confusing for bathroom fixtures as the switches are outside next to the door and will be for the ceiling light, vanity light and extractor fan, as well as hallway lights.

Another example is looking at house plans; since I have started on this project, I have spent a lot of time looking at house plans and seeing examples from other cultures helps me articulate what are some of the expectations of designing Dhofari houses.

Example 1:

example - walk into kitchen

In this home, you walk into the dining room, something that would not happen in a Dhofari house. Also the kitchen in open-air, with no separating wall, much less a door. This would not work in a culture in which cooking smells are considered as negative. Notice how someone standing at the sink has complete visual access to the dining area, living room and porch; there is no possibility of gender segregation. And there are 21 seats (including the 2 floor cushions in the living room), if the dining room table was rotated 90 degrees and the 2 chairs in the living room were turned, the space could easily hold 25 or more people. The space allows for a large, mixed gender party.

Example 2:

example - maids room - ready

What struck me about about this plan is how little seating there is: only 14 seats in the main area and there doesn’t look like there is enough room for 4 people on the small sofa in the private TV space. If the couple who live here invite another couple for dinner, someone is going to spend the evening sitting on a dining room table chair. Also interesting is the maid’s bedroom and bathroom. Having a female maid live-in is common in Dhofar and the room is usually next to or near the kitchen in a one-story house

Example 3:

example - 4 sitting rooms

I loved trying to figure out this house – it’s the perfect expression of a culture that has a lot of concern over who sees what and how in/ out of the group a person is.

In the bottom left is the most ‘out-group’ space:  it’s a majlis (male sitting room) with NO connection to the interior of the house and no bathroom. To the right is the main male entrance, leading to majlis with a bathroom opposite. Further ahead to the left is a dining room that is set up with two doors so the lower door (near majlis) can be closed/ locked while the table is set up, then the door near the majlis is opened while the upper door (leading into the house) is closed for family privacy. When the men leave, the door near the majlis is closed and the door to the house is opened for clean up, so male visitors can never see or hear any of the house occupants.

To the right, above the majlis, is the family entrance which opens into an entryway with a bathroom opposite the salle (sitting room for female relatives and visitors). If needed, female guests could use the dining room if the lower door (to the majlis) is locked. Notice how, if a female visitor left the salle and turned left, then left again to enter the dining room, there are NO sight-lines for the family seating section or even the doors to the kitchen or bedroom. To get to the family seating area, a visitor would have to turn right and cross the atrium; there is no way someone could do this ‘by accident’ so visitors will never be able to see who else was in the house. 

Family members would pass through the entryway and turn right into the family space, with the family bathroom to the left. Except for the bathroom that is inside the bedroom, all three bathrooms (near majlis, near salle and near family space) are built in two sections with a sink area, then an inner door leading to a toilet and sink.

The kitchen is in the upper right-hand corner (with door to prevent cooking odors from reaching the house) and a door to the outside, for bringing in supplies and taking out trash without entering the family section. The bedroom in the upper left hand corner is, to me, too big for a maid’s room (which I would expect to be on the roof or near the children’s rooms). I would assume that this would be for either an older family member, so that they don’t have to climb the stairs, or the couple most responsible for the house.

There are a lot of details that remind me of Dhofari houses, such as the storeroom off the kitchen that can be locked and the side tables in the corners of all four seating areas (external majlis, main majlis, salle and family sitting space) so that people are always sitting in a circle-shape.

Another detail is the set-back of the bedroom and kitchen doors. If you look at the bedroom door, for example, you can see that it could be moved forward (to the left) so that the doorframe is flush with the end of the lower wall. But in its current position, one can’t see if the door is open or shut unless you are standing in front of it. Further, given that the TV in the family sitting room is on the lower wall (shared with the bathroom for the salle), the people in that area can’t see who is coming out of/ going into the kitchen.

Details I see as non-Dhofari are the separate dining room, the circular table near the family seating area and the door to second staircase (below the family area bathroom). That door surprises me as there is no way from that staircase into the house, one can only go up to the upper floor where I  would expect 5, 6 or 7 bedrooms. In the houses I have seen in Dhofar, where there is a second staircase accessed from outside the house, I have always seen an internal door on the ground-level.

Also the separation of the male visitor (majlis) and female visitor/ family doors is not usual. In Dhofar, the two doors are usually a few feet apart, set at a 90 degree angle. Also the outdoor seating area is unusual in Dhofar. Outside of towns there is usually not a high wall around the house so inhabitants might sit on chairs or the steps with an open view. In towns, there is usually not outside seating by a door.

A last note on sight-lines. To me, the kitchen table next to the outside door is awkward. Anyone bringing in supplies needs to walk past the table and turn. It would make more sense to have the table on the lower wall (i.e. sharing the wall with the chairs for the family sitting room). But if the table were moved, then the people sitting at it would be able to see the door to the bedroom. As it is now, the people sitting at the kitchen table have no sight-lines.

Houseways: Placement of Furniture and Sightlines

Houseways: Roofs (how one aspect of house design affects other aspects)

Houseways: House plans

Houseways: House construction, part 1

Houseways: Roofs (how one aspect of house design affects other aspects)

Foodways: Photos for my presentation “The Costs and Benefits of Fishing in Southern Oman,” ‘Fish as Food’ conference, International Comm. on the Anthro. of Food and Nutrition

“The Costs and Benefits of Fishing in Southern Oman,” Dr. M. Risse

Fish as Food: Lifestyle and a Sustainable Future, International Commission on the Anthropology of Food and Nutrition

hosted at the University of Liverpool, Sept 1-3, 2021, http://www.icaf2021.uk/

(photo by Onaiza Shaikh)

Below are a collection of photos to help document the types of boats used and the coastal areas. I am very grateful to Onaiza Shaikh, Hussein BaOmar, M. A. Al Awaid and S. B. for kindly giving me permission to use their photos to help illustrate cultural issues in Dhofar.

Fishing boats and dhows, photos by Onaiza Shaikh

Fishing boats and fish by Hussein BaOmar

Catching sardines and drying abalone by M. A. Al Awaid

Sardine catch and coastal areas by S. B

Related essays on fishing

Foodways: Researching Fishing Practices in Dhofar and Selected Bibliographies

Foodways: Fishing from or near the Shore – Sardines

Foodways: Fishing from or near the Shore – Boxes

Foodways: Catching Lobsters and Diving for Abalone

Foodways: Fish traps

Foodways: Data for my presentation “The Costs and Benefits of Fishing in Southern Oman,” ‘Fish as Food’ conference, International Comm. on the Anthro. of Food and Nutrition