I started to look at cartoons (sent by Omani friends or posted on Instagram) because I wanted to see how buying, making, eating and sharing food was portrayed in graphic art. The cartoons are fascinating because they give personal insights into many aspects of Arab/ Muslim/ Gulf cultures, not just what food is eaten (when, where and why) but what is said (and the subtext), who is talking, what clothes are worn (and what do the clothes signal?), body issues (how close do people stand to each other? do they face each other directly? how much can you tell about body size/ shape? can you see hair?), background (how is the place drawn? is it in the home or in public?), even how the words are spelled (are the people speaking formal Arabic?) and grammar choices mark the characters vis a vis status, nationality, sub-culture, etc.
For example in this cartoon – the woman on the left is drawn as less traditional with hair piled up under her sheila, hair showing, shaped eyebrows, prominent eyes (eyeliner? mascara? colored lens?), open-mouth smile (lipstick?), open abayah, colored dress and purse, showing more of her forearm showing (is her lighter skin tone deliberate?) but also because she is carrying a coffee clearly drawn with a green round label like Starbucks. The coffee is grey and in a larger cup; while the other woman is carrying a small cup filled with a light brown liquid that looks like tea with milk. The woman with the less conservative look goes to the expensive and foreign coffee company – the woman with the more conservative appearance drinks tea in the (traditional) smaller cup.
Not all of the cartoons below have food but all give important insights into cultural issues.
Vimto/ laban signal Ramadan because they are usually drunk at Iftar but henna is not usually worn during Ramadan so this image points towards Eid, especially with the moon design of the henna, the lights and the creme carmel.
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