You Have Nothing to Fear from Sheep’s Eyes but Beware the Carrot Sweet: Researching Foodways in Southern Oman

During over a decade of picnics with men from southern Oman, I have never been offered the eyes, brain, tongue or tail of any animal. The cliché of guests being offered the ‘unloved’ parts of an animal doesn’t hold here in the Dhofar region. And it’s not that large platter of rice and meat that will cause you problems. Men will encourage you to eat, but if you gather up a few grains of rice in your hand and lift it towards your mouth, the host’s attention will move on.

If you are given a fish, you can turn the head away from you and start to eat from tail up, scattering by chance a few shreds of lettuce over the eyes. Then you declare yourself full before you need to deal with the stomach area, much less digging into the skull for the fish cheeks.

What you should fear is ladies’ parties with lots of very generous, caring, strong-arming women.

Men usually have dinner with friends on the beach or in a scenic place in the mountain. It’s dark, eating is done quickly and men come and go freely; there is little policing of who eats what. Although the cook might toss special pieces of meat or fish towards you, if you don’t want to eat them, simply leave them alone.

But women parties are usually indoors, with lots of light and everyone sits in their places for several hours so you are constantly under observation.

I love wedding parties because the air is full of beautiful perfumes and everyone is in gorgeous, comfortable, multi-color thobes (the loose, traditional Dhofari dress). And the food is delicious, but you cannot escape it. Either waitresses or relatives of the groom will bring around trays of drinks and sweets and everyone, not just the hostess, but all the other guests, will encourage you to partake.

You have had four cups of super-leaded, espresso-strength, cardamom-spiced Omani qahwa (coffee)? The generous women would like you to have a fifth cup! “You didn’t drink anything! Do you not like the coffee? Do you want tea! BRING TEA, SHE WANTS TEA!”  they call.

You protest but, alas, give up. The tsunami of kindness is coming for you. Take up the tea cup and drink. And as soon as you set down the cup, here come someone with juice, soda, instant coffee, chai ahmar (“red tea,” black tea with only sugar added), chai haleeb (“milk tea,” black tea with milk and sugar), or karak (loose tea with spices and milk).

Then come the sweets accompanied by women benevolently asking you to take another spoonful of halwa, the traditional Omani dessert. And like a swan-dive into a bowl of whipped cream, you submit to your fate: a small plate of carrot sweet, a bowl of crème caramel, a slice of cake, a bowl of ice cream, fruit salad, luqaymat/ loqeemat (sweet fried dough with a sugar syrup), basbousa, and wrapped chocolates.

And now, just as you give up any thought of ever moving again, dinner is served. A generous woman hands you a plate heaped high with a selection of appetizers (hummus, fattoush, baba ghanoush, etc., with pita bread) and qabooli (a dish with spices, rice and meat). Then, of course, dessert is served.

There have been weekends in which I have inhabited both worlds. One night was spent wearing loose cotton trousers and a tunic top with a plain blue headscarf and sitting on a plastic mat on a beach out of sight from any man-made lights. Dinner was fresh-caught fish cooked over a fire. The men in my research group and I ate with our hands, drank Dew, looked at the stars, listened to the sea and talked until 1am. The next night I wore a decorated velvet thobe with full make-up, my meager supply of gold jewelry and a lot of duty-free perfume, in a room full of air-conditioning, bright lights, and delightful women who wanted to stuff me until I burst.

Omani people are very open-hearted and open-handed and doing research on foodways is a lot of fun, but it is not for the meek or the small of stomach.

Reflections on Houseways Research

I got the e-mail confirming that my Houseways book will be published in January 2023 while sitting in a living room that is completely opposite of the rooms I have described and lived in Oman. The Canadian house had wooden floors and furniture, windows without curtains, no AC, a big fireplace, floor lamps, crocheted afghans, many photos and bookshelves overflowing with novels, candles, puzzles, souvenirs and small wooden carvings of birds. Looking at the room while thinking of the descriptions of Omani houses in my book was a good reminder of how differently people arrange their living spaces.

Given that my academic background is literature and travel writing, it might seem odd that I decided to write about houses, but I grew up in a home in which everyone had strong opinions about how to live and an active interest in building decks, planting gardens, finding a rug in exactly the right shade of blue and putting the sofa there, no, not there, there, a little to the right, no, now forward a little.

As I child, I wanted to live in a Baroque castle; everyone else wanted to live in a modernist, northern European design-aesthetic structure. I wanted to read novels; everyone else wanted to figure out if it was possible to punch a hole in that wall to put in a window. For my 13th birthday I wanted a ball gown and was given my very own tool kit with hammer, pliers, wrench, level and screwdrivers.

I heard about Mansard roofs, color wheels, mixed-use developments and Frank Lloyd Wright. Our living room had a Barcelona chair, a Scandinavian Designs sofa and a Century House (Madison, WI) rug; when my father and I went to England, it was to see Milton Keynes and Welwyn Garden City. I watched my family build furniture, swatch paints, install insulation, build benches to strengthen community bonds in our neighborhood and weed. I read in cafés while they re-framed doorways.

The root of this problem was that when he was in his early 20s, my father walked into Louisburg Square in Boston and thought, “everyone should live like this.” That collection of houses changed his life; he became an urban planner and spent more than 60 years thinking, talking, writing and teaching about how to form better-organized houses, neighborhoods and cities. My mother creates gardens and both siblings have planned renovations of their houses down to the trim on the underside of cabinets.

I thought I had escaped this legacy until I got interested in how Dhofaris design kitchens as part of my Foodways project [ Foodways in Southern Oman – Short Essays and Images ]. I realized, while that I am not interested in decorating or remodeling, I love listening to people’s stories about how they live in their houses, what choices they make and why.

I am grateful to my family for all that early training and to the Omanis who have trusted me with their stories, opinions, photos and friendship.

https://www.routledge.com/Houseways-in-Southern-Oman/Risse/p/book/9781032218595

https://www.taylorfrancis.com/books/mono/10.4324/9781003270317/houseways-southern-oman-marielle-risse

Reflections on Ethnographic Work: Shopping, Safety and Maneval’s New Islamic Urbanism (2019)

To better understand issues related to housing and how house fit within cities, I have read many texts about the growth of cities on the Arabian Peninsula. Across differences between authors there are two similarities: writers often fail to put themselves in the location and scorn shopping. Perhaps the genres they are writing in (political science, urban studies, architecture, etc.) call for a distanced view but it’s odd to read so much information about a place by people who never talk about what it’s “like” to be there. Critiques of road placement, enclave developments, poorly designed open spaces, congestion etc. might be accurate, but there’s nothing in the text to show that the author was actually there except for some ‘taken by the author’ photos.

And there is widespread contempt for shopping with lots of remarks about mindless, over-consumerism but nothing about joy of walking into a shopping center with a mix of languages, scents, sights and people. I lived in Sharjah from 1997-99 and City Center Mall and the Blue Souq were my favorite places to shop and people-watch.

This summer I was in New York City, Boston and small towns in the Northeast. In each location, people blended together. Most clothes in NYC were black; most clothes in Boston were khaki. No feathers, no saris, no rhinestones, no apricot-colored silk dresses worn with sandals decorated with small birds, no little girls running around in 7-layer tulle dresses with bare feet, no long robes with pointed hoods, no teal leather slippers with the toes curled up, no purple fake-crocodile leather skirts. But that is what is waiting for you at a Dubai mall: uniforms from every kind of job, clothing from many countries and people strutting around in whatever dream they and their tailor could come up with, plus goods from Africa, Australia and New Zealand, Europe, Japan, Korea, South America and others.

And the souqs! When you read the disparaging comments about how inauthentic they are, how they are set up for tourists and what was torn down to build them, you get no sense of the wonder of, for example, the Sharjah Blue Souq. It’s lovely (and safe! more on that below). There are Emiratis and expats shopping and a wonderful cacophony of Iranian, Pakistani, Indian, Afghani, Syrian, etc. sellers.

To walk into Muttrah Souq in Muscat is to overwhelmed with rainbows of colors: scarves, shoes, dresses and ribbons. There are displays crowded with shells, colored glass lanterns, little metal oil lamps, spices, frankincense, gold necklaces and silver rings. It might not be completely authentic or following all best practices for urban design but it’s fun. And used by Omanis as well as tourists.

By not talking about the “feel” of urban spaces, writers miss another important aspect: safety. When I worked at the American University of Sharjah, I didn’t have a computer in my on-campus apartment, so I would often walk about 6 blocks to work in the evening. How many female academics can say that they can walk through any building and any part of their campus at any time of day or night and feel perfectly safe?

In Dubai, Sharjah and Muscat I get into taxis without a second thought. I walk through parking garages without threading my keys through my fingers or looking around. At Washington National airport I had to assess fellow passengers before deciding who I could ask to watch my carry-on bag when I went to buy a magazine. At Dubai and Muscat airports, I just leave the bag if I need to walk a short distance to get a soda. At my café in Salalah, men leave their laptops, phones and sunglasses on the table when they go to pray. At the grocery store, I can leave my purse in the cart as I go to get some apples and then stand in line to have them weighed.

I do not ever try to put myself in danger. I never camp alone but many times I have driven home from a research meeting at 2 or 3am. I worry about camels on the road, not about being harmed. The times when my car has broken down or gotten stuck in the sand, the men who have stopped were helpful.

Happily, Maneval’s New Islamic Urbanism (2019) does not follow the norms of talking about urban spaces in the abstract and disparaging shopping centers. Maneval has a thorough understanding of the history and architecture of Jeddah but he also muses on what “it’s like” to walk down the streets and through the buildings. The focus of his work is to reframe the concepts of public and private to

conceive of these spaces as variable products of social practice involving both people and artefacts…[e.g] walls, doors, curtains etc. are not enough to turn a building into a private space. It could just as well be used as an office or for the assembly of a political party. In order for it to become a private space, whether continuously or temporarily, people have to use it as such, that is, keep other people out to remain undisturbed, screen certain bodily appearances and activities from view, do what they only want to do alone or with a limited number of persons with whom they share an intimate bond (63)

However, to me, how he sets himself within the context of Jeddah is just as important as his academic framework. He is the only author I found who talks in first person about the difficulty of every-day actions such as crossing a street or finding the entrance to a building. [An article that also discusses “what it’s like” to walk in Arabian Peninsula cities is Nastasi’s excellent “A Gulf of Images: Photography and the Circulation of Spectacular Architecture” (2019), but this text concentrates on urbanscapes, not houses.]

When Maneval talks about how gender separation displaces both women and men, he discusses how he was not able to enter an art exhibit or sit in a café with a group of men. His opening example, of being guided/ guarded through a female-only university, is the only time I have read a male author explaining how it feels to be “othered” on the Arabian Peninsula.

I am grateful that I found his book early in my research on Houseways ; it was heartening to find someone who blends the academic with the personal to create a comprehensive view of how people navigate through houses and cities.

Updated bibliography for Houseways in Southern Oman, June 2022

Selected references related to Houseways in Southern Oman, Dr. Marielle Risse

(photo by Ms. Onaiza Shaikh)

[references for pre-historic and pre-modern Dhofar are also listed in separate topic-specific bibliographies at the end]

 

Abdelghani, Montasser. 2013. “The Impact of Shopping Malls on Traditional Retail Stores in Muscat. Case Study of Al-Seeb Wilayat.” Regionalizing Oman. Steffen Wippel, ed. New York: Springer. 227-47.

 

Abu-Lughod, Janet. 1989. “What Is Islamic about a City? Some Comparative Reflections,” in Urbanism in Islam: The Proceedings of the International Conference on Urbanism in Islam (Tokyo: Middle Eastern Culture Center): 193-217.

 

—. 1987. “The Islamic City: Historical Myth, Islamic Essence and Contemporary Relevance.” International Journal of Middle East Studies 19.2: 155-76.

 

Adam, Khalid and Liudmila Cazacova, 2012. “The Round Dhofari House Popularity Uniting the Past and the Present.” Proceedings of the 6th International Seminar on Vernacular Settlements. Eastern Mediterranean University, Famagusta, North Cyprus. 365-74.        

 

Akcan, Esra. 2014. “Postcolonial Theories in Architecture” in A Critical History of Contemporary Architecture (1960-2010). Elie Haddad and David Rifkind, eds. London: Ashgate. 119-40.

 

—. 2014. “Global Conflict and Global Glitter: Architecture in West Asia (1960-2010)” in A Critical History of Contemporary Architecture (1960-2010). Elie Haddad and David Rifkind, eds. London: Ashgate. 317-43.

 

Al Gandel, Thamna and Ibrahim Bryan Finn. 2017. Learn About Dhofar from 530 Questions and Answers. Muscat: Dar al Wraq.

 

Al Harthy, Sultan. 1992. The Traditional Architecture of Oman: A Critical Perspective. Unpublished M.Arch. thesis. The University of Arizona. https://repository.arizona.edu/bitstream/handle/10150/555398/AZU_TD_BOX353_YARP_1120.pdf?sequence=1https://repository.arizona.edu/handle/10150/555398

 

Al Hinai, H., W. J. Batty and S. D. Probert. 1993. “Vernacular Architecture of Oman: Features that Enhance Thermal Comfort Achieved within Buildings.” Applied Energy 44.3: 233-44. 10.1016/0306-2619(93)90019-L

 

Al Ismaili, Ahmed. 2018. “Ethnic, Linguistic, and Religious Pluralism in Oman: The Link with Political Stability.” Al Muntaqa 1.3: 58-73.

 

Al Kathiri, Muna Salim and Liudmila Cazacova. 2014. “Islamic Architecture Features and Modern Housing: A Case Study of the North Awqad District in Salalah, Oman.” The International Journal of the Constructed Environment 4: 1-18.

 

Al Mohannadi, Asmaa Saleh, Raffaelo Furlan and Mark David Major. 2019. “Socio-Cultural Factors Shaping the Spatial Form of Traditional and Contemporary Housing in Qatar: A Comparative Analysis based on Space Syntax.” Proceedings of the 12th Space Syntax Symposium.

 

Al Mohannadi, Asmaa Saleh and Raffaello Furlan. 2019. “Socio-cultural Patterns Embedded into the Built Form of Qatari Houses: Regenerating Architectural Identity in Qatar.” Journal of Urban Regeneration and Renewal 12.4: 1-23.

 

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—. 2019, Nov 8. “Dubai Mall or Souq Naif? The Quest for ‘Authenticity’ and Social Distinction.” London School of Economics Middle East Blog Posts. https://blogs.lse.ac.uk/mec/2019/11/08/dubai-mall-or-souq-naif-the-quest-for-authenticity-and-social-distinction/

 

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—. 2018, Dec.4. “Challenging Concepts of ‘Authenticity’: Dubai and Urban Spaces in the Gulf.” London School of Economics Middle East Blog Posts. https://blogs.lse.ac.uk/mec/2018/12/04/challenging-concepts-of-authenticity-dubai-and-urban-spaces-in-the-gulf/

 

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Andraos, Amale. 2016. “The Arab City.” Places Journal. https://doi.org/10.22269/160531

 

Arnaud, Jean-Luc. 1995. “La Formation de l’Architecture Contemporaine à Sanaa,” in Sanaa hors les Murs, une Ville Arabe Contemporaine. Franck Mermier and Gilbert Grandguillaume, eds. Urbama – CFEY: Tours. 165-226.

 

Asmi, Rehenuma. 2016. “Finding a Place to Sit How Qatari Women Combine Cultural and Kinship Capital in the Home Majlis.” Anthropology of the Middle East 11.2: 18–38.

 

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—. 2007.“Sumhuram: A Hadrami Port on the Indian Ocean,” in The Indian Ocean in the Ancient Period: Definite Places, Translocal Exchange BAR International Series 1593. Eivind Heldaas Seland, ed. Oxford: Archaeopress. 23-31.

 

—. 2002. “Incense Routes and Pre-Islamic South Arabian Kingdoms.” Journal of Oman Studies 12: 17-24.

 

Avanzini, Alessandra and Alexander Sedov. 2005. “The Stratigraphy of Sumhuram: New Evidences.” Proceedings of the Seminar for Arabian Studies 35: 11-7.

 

Ball, Lawrence, Douglas MacMillan, Joseph Tzanopoulos, Andrew Spalton, Hadi Al Hikmani and Mark Moritz. 2020. “Contemporary Pastoralism in the Dhofar Mountains of Oman.” Human Ecology. https://doi.org/10.1007/s10745-020-00153-5

 

Bandyopadhyay, Soumyen. 2019. “The Bait as-Sail Rehabilitation and Restoration Project, Salalah, Oman.”  Architecture and Cultural Heritage of India, Arabia and the Maghreb. https://www.archiam.co.uk/ghassani-house-adaptive-reuse-project/

 

—. 2011. Manah: An Omani Oasis, an Arabian Legacy Architecture and Social History of an Omani Settlement. Liverpool: ‎Liverpool University Press.

 

—. 2006. “The Deconstructed Courtyard: Dwellings of Central Oman,” in Courtyard Housing: Past, Present and Future. B. Edwards, M. Sibley, M. Hakmi, and P. Land. eds. New York: Taylor & Francis. 109-21.

 

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Barth, Fredrik. 1983. Sohar: Culture and Society in an Omani Town. Baltimore: Johns Hopkins University Press.

 

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Belk, Russell. 2012. “People and Things,” in Handbook of Developments in Consumer Behavior. Victoria Wells and Gordon Foxall, eds.  Cheltenham: Elgar. 15-46.

Benkari, Naima. 2021. “The Formation and Influence of the Military Architecture in Oman during the al Ya’ariba Period (1034-1162 AH/ 1624-1749 AD). Journal of Islamic Architecture 6.4: 217-228.

 

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—. 2019. “Local Community Involvement in the Adaptive Reuse of Vernacular Settlements in Oman,” in Vernacular and Earthen Architecture: Towards Local Development. Miles Lewis, Shao Yong, Gisle Jakhelln and Mariana Correia, eds. Shanghai: Tongji University Press. 557-64.

 

—. 2017. “Urban Development in Oman: An Overview.” Transactions on Ecology and the Environment 226.1: 143–156.

 

Benkari, Naima, and Alya Al-Hashim. 2015. “Omani Traditional Houses and Settlements: New Options for Developing a Sustainable Tourism.” unpublished.

 

Bent, J.T. 1895. “Exploration of the Frankincense Country, Southern Arabia.” The Geographical Journal 6.2: 109-33.

 

Bent, Theodore and Mabel. 2005/ 1900. Southern Arabia. London: Elibron.

 

Bianca, Stefano. 2000. “Basic Principles of Islam and Their Social, Spatial and Artistic Implications” in Urban Form in the Arab World. London: Thames & Hudson. 23-48.

 

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bin Zayyad, Sabeen and Brian Sinclair, 2017. “Culture, Context + Environmental Design: Reconsidering Vernacular in Modern Islamic Urbanism.” presented at the 10th EAAE/ARCC International Conference. https://www.researchgate.net/publication/314218959_Culture_context_environmental_design_Reconsidering_vernacular_in_modern_Islamic_urbanism

 

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Rose, Jeff, Vitaly Usik, A. Marks, Yamandu Hilbert, Chris Galletti, A. Parton, V. Černý, J. Geiling, M. Morley, and R. Roberts. 2011. “The Nubian Complex of Dhofar, Oman: An African Middle Stone Age Industry in Southern Arabia.” PLoS ONE 6(11) e28239.

 

“Salalah al-Wusta & Gharbiya: Dhofar Governorate: Documentation and Heritage Management Plan.” 2016. University of Liverpool and the Ministry of Heritage and Culture. https://issuu.com/archiam/docs/20170908_hmp_salalah

 

Salama, Ashraf. 2015. “Urban Traditions in the Contemporary Lived Space of Cities on the Arabian Peninsula.” Traditional Dwellings and Settlements Review 27.1: 27-39.

 

—. 2014. “A Century of Architecture in the Arabian Peninsula: Evolving Isms and Multiple Architectural Identities in a Growing Region,” in Architecture from the Arab World (1914-2014): A Selection: Bahrain Catalogue in Biennale Venice. G. George Arbid (ed.). Manama: Bahrain Ministry of Culture. 137-43.

 

Sale, J. 1980. “The Ecology of the Mountain Region of Dhofar.” The Journal of Oman Studies: Special Report 2: The Oman Flora and Fauna Survey 1975. Muscat: Diwan of H. M. for Protocol. 25-54.

 

Saunders, J. P. 1846. “A Short Memoir of the Proceedings of the Honorable Company’s Surveying Brig ‘Palinurus,’ during Her Late Examination of the Coast between Ras Morbat and Ras Seger, and between Ras Fartak and the Ruins of Mesinah.” Journal of the Royal Geographical Society of London 16: 169-86.

 

Scholz, Fred. 1980. “Part III. Case Study: The Sultanate of Oman,” in Bedouins, Wealth, and Change: A Study of Rural Development in the United Arab Emirates and the Sultanate of Oman. Tokyo: United Nations University. https://archive.unu.edu/unupress/unupbooks/80143e/80143E07.htm

 

Singh, Kaushalendra. 2018., Jan 12. “A Saga of Legacy at Bait al Ghassani.” Oman Observerhttps://www.omanobserver.om/article/64672/Front Stories/a-saga-of-legacy-at-bait-al-ghassani

 

Smith, G. Rex and Venetia Porter. 1988. “The Rasulids in Dhofar in the VIIth-VIIIth/XIII-XIVth Centuries.” The Journal of the Royal Asiatic Society of Great Britain and Ireland 1: 26-44.

 

Smith, John Alexander. 1991.“The Islamic Garden in Oman: Sanctuary and Paradise.” Garden History 19: 187-208.

 

—. 1983. “Desert Developments.” Building Design 11: 18-21.

 

Sobh, Rana and Russell Belk. 2011. “Domains of Privacy and Hospitality in Arab Gulf Homes.” Journal of Islamic Marketing 2.2: 125-37.

 

—. 2011. “Privacy and Gendered Spaces in Arab Gulf Homes.” Home Cultures 8.3: 317-40.

 

Sobh, Rana, Belk, Russell and Justin Gressel. 2010. “Conflicting Imperatives of Modesty and Vanity Among Young Women in the Arabian Gulf,” in Advances in Consumer Research 38. D. W. Dahl, G. V. Johar, and S. M. J. van Osselaer, eds. Duluth, MN: Association for Consumer Research.

 

Speck, Jeff. 2013. Walkable City: How Downtown Can Save America One Step at a Time. New York: North Point Press.

 

St Albans, Suzanne. 1980. Where Time Stood Still: Portrait of Oman. London: Quartet Books.

 

Stephenson, Lindsey. 2011. “Women and the Malleability of the Kuwaiti Dīwāniyya.” Journal of Arabian Studies 1.2: 183-99.

 

Stephenson, M.I., Karl, A.R. and David, E. 2010. “Islamic Hospitality in the UAE: Indigenization of Products and Human Capital.” Journal of Islamic Marketing 1.1: 9-24.

 

Tabook, Salim Bakhit. 1997. Tribal Practices and Folklore of Dhofar, Sultanate of Oman. Unpublished PhD thesis, Faculty of Arts, Exeter University.

 

Tabuki, Salim Bakhit. 1982. “Tribal Structures in South Oman.” Arabian Studies 6: 51-6. (same author as above)

 

Takriti, Abdul Razzaq. Monsoon Revolution: Republicans, Sultans and Empires in Oman 1965-1976. Oxford: Oxford University Press, 2013.

 

Thesiger, Wilfred. 1991/ 1959. Arabian Sands. New York: Penguin.

 

Thomas, Bertram. 1932, reprint. Arabia Felix: Across the Empty Quarter of Arabia. London: Jonathan Cape.

 

Usik, Vitaly, Jeff Rose, Yamandu Hilbert, P. Van Peer, and Anthony Marks. 2013. “Nubian Complex Reduction Strategies in Dhofar, Southern Oman.” Quaternary International 300: 244-66.

 

van Nes, Akkelies and Claudia Yamu. 2018. “Space Syntax: A Method to Measure Urban Space Related to Social, Economic and Cognative Factors,” in The Virtual and the Real in Planning and Urban Design: Perspectives, Practices and Applications. C. Yamu, A. Poplin, O. Devisch, and G. de Roo, eds. Routledge: New York. 136-150.

 

Varanda, Frenando. 2017. “The Domestic Architecture of the Northern Plateaux and Eastern Slopes of Yemen: Building Attitudes and Formal Identities,” in Architectural Heritage of Yemen: Buildings that Fill my Eye. Trevor Marchand, ed. London: Gingko Library. 89-99.

 

vom Bruck, Gabriele. 2018. Mirrored Loss: A Yemeni Woman’s Life Story. New York: Hurst.

 

—. 2017. “Bodies on the Move: Gender Dynamics on a Sanaani Minibus,” in Architectural Heritage of Yemen: Buildings that Fill my Eye. Trevor Marchand, ed. London: Gingko Library. 187-93.

 

—. 2005. “The Imagined ‘Consumer Democracy’ and Elite Re-Production in Yemen.” Journal of the Royal Anthropological Institute 11.2: 255-75.

 

—. 1997. “A House Turned Inside Out: Inhabiting Space in a Yemeni City.” Journal of Material Culture 2.2: 139-72.

Walsh, Tony. 2013. Walking Through History: Oman’s World Heritage Sites.

 

Wanucha, Elizabeth and Zahra Babar, eds. 2018. Hawwa, CIRS Special Issue: Family in the Arabian Peninsula 16.1-3.

 

Weir, Shelagh. 2007. A Tribal Order: Politics and Law in the Mountains of Yemen. Austin: University of Texas Press.

 

Wikan, Unni. 1982. Behind the Veil in Arabia: Women in Oman. Chicago: University of Chicago Press.

 

Winter, Tim. 2015. “Urban Sustainability in the Arabian Gulf: Air Conditioning and its Alternative.” Urban Studies. 1-15. doi: 10.1177/0042098015608782

 

Wolfe, Charles. 2020, Sept. 9. “Five Principles of the ‘Urbanism of Experience’.” Public Square. https://www.cnu.org/publicsquare/2020/09/09/five-principles-urbanism-experience

 

Yapicioglu, Balkiz and Liudmila Cazacova. 2018. “‘Omani Burqa’ vs. Decorated Facade of Modern Omani House: The Case of Salalah, Dhofar Region, Oman.” The Academic Research Community Publication. 101-111. ISSN online: 2537-0162

 

—. 2016. “The Building as a Statement of an Artefact: The Mijmara.” International Journal of Ecology & Development 31.3: 99-116.

 

—. 2016. “Culture Embedded in City’s Architecture; Incense Burning Custom and Its Effects on Modern Buildings’ Features of Salalah, Oman.” Proceedings of the 5th International Conference on Sustainable Tourism and Cultural Heritage. Istanbul, Turkey.

 

Yarwood, John. 2012. Urban Planning in the Middle East: Case Studies. Newcastle upon Tyne: Cambridge Scholars Publishing.

 

Yule, Paul and K.K. Mohammad. 2006/ 1998. “Report on Al-Baleed Pottery: Reference Collection,  RWTH Aachen University” Muscat: Office of the Adviser to His Majesty the Sultan for Cultural Affairs.

Zarins, Juris. 2009. “The Latest on the Archaeology of Southern Oman.” Journal of the American Oriental Society 129.4:  665-74.

 

—. 2007. “Aspects of Recent Archaeological Work at al-Balid (Zafar), Sultanate of Oman.” Proceedings of the Seminar of Arabian Studies 37: 309-24.

—. 2001. The Land of Incense: Archaeological Work in the Governorate of Dhofar, Sultanate of Oman, 1990-1995. Muscat, Oman: Sultan Qaboos University Publications.

 

—. 1997. “Mesopotamia and Frankincense: The Early Evidence,” in Profumi d’Arabia. Alessandra Avanzini, ed. Rome: L’Erma Bretschneider. 251-72.

 

—. 1997. “Persia and Dhofar: Aspects of Iron Age International Politics and Trade,” in Crossing Boundaries and Linking Horizons. G. Young, M. Chavalas and R. Averbeck, eds. Bethesda: CDL Press. 615-89.

Zarins, Juris and Newton, Lynne. 2012 “Al Balid: Ancient Zafar, Sultanate of Oman. Report of Excavations, 2005-2011 and Salalah Survey.” Unpublished ms., Muscat-Salalah.

 

Zerboni, Andrea, Alessandro Perego, Guido S. Mariani, Filippo Brandolini, Mohammed Al Kindi, Eleonora Regattieri, Giovanni Zanchetta, Federico Borgi, Vincent Charpentier and Mauro Cremaschi. 2020. “Geomorphology of the Jebel Qara and Coastal Plain of Salalah (Dhofar, southern Sultanate of Oman).” Journal of Maps 16.2: 187-98.

 

Zimmerle, William. 2017. Cultural Treasures from the Cave Shelters of Dhofar: Photographs of the Painted Rock Art Heritage of Southern Oman. Washington: Sultan Qaboos Cultural Center/Liberty Press.

 

—. 2017. Crafting Cuboid Incense Burners in the Land of Frankincense: The Dhofar Ethnoarchaeology Preservation Project. Washington: Sultan Qaboos Cultural Center/Liberty House Press.

 

Selected references – Al Baleed and Sumhuram

Albright, Franklin. 1982. The American Archaeological Expedition in Dhofar, Oman, 1952-1953. Washington DC: American Foundation for the Study of Man.

Avanzini, Alessandra, ed. 2008. A Port in Arabia between Rome and the Indian Ocean (3rd C.BC. – 5th C.AD) Khor Rori Report 2. Rome: L’Erma di Bretschneider.

—. 2007.“Sumhuram: A Hadrami Port on the Indian Ocean,” in The Indian Ocean in the Ancient Period: Definite Places, Translocal Exchange BAR International Series 1593. Eivind Heldaas Seland, ed. Oxford: Archaeopress. 23-31.

—. 2002. “Incense Routes and Pre-Islamic South Arabian Kingdoms.” Journal of Oman Studies 12: 17-24.

Avanzini, Alessandra and Alexander Sedov. 2005. “The Stratigraphy of Sumhuram: New Evidences.” Proceedings of the Seminar for Arabian Studies 35: 11-7.

Belfioretti, Luca. and Tom Vosmer. 2010. “Al-Balīd Ship Timbers: Preliminary Overview and Comparisons.” Proceedings of the Seminar for Arabian Studies 40: 111-18.

Buffa, V and A.V. Sedov. 2008. “The Residential Quarter,” in A Port in Arabia between Rome and the Indian Ocean (3rd C. BC – 5th C. AD). A. Avanzini, ed. Khor Rori Report 2, Roma: L’Erma di Bretschneider: 15-59.

Carter, Henry. 1846. “The Ruins of El Balad.” Journal of the Royal Geographical Society of London 16: 187-99.

Cleveland, R. L. 1960. “The 1960 American Archaeological Expedition to Dhofar.” Bulletin of the American Schools of Oriental Research 159: 14-26.

—. 1959. “The Sacred Stone Circle of Khor Rori (Dhofar).” Bulletin of the American Schools of Oriental Research 155: 29-31.

Costa, Paulo. 1982. “The Study of the City of Zafar (Al-Balid).” Journal of Oman Studies 5: 111-50.

Degli Esposti, Michele and Alexia Pavan. 2020. “Water and Power in South Arabia: The Excavation of “Monumental Building 1” (MB1) at Sumhuram (Sultanate of Oman).” Arabian Archeology and Epigraphy. 1 – 29. DOI: 10.1111/aae.12159

Franke-Vogt, Ute. 2002. “Remarks on the Classification of the Pottery from Al-Balid, Dhofar (Oman).” Unpublished ms., Office of the Advisor to HM the Sultan for Cultural Affairs: Muscat-Salalah.

Fusaro, Agnese. 2021. “The Islamic Port of al-Balīd (Oman), between Land and Sea: Place of Trade, Exchange, Diversity, and Coexistence.” Journal of Material Cultures in the Muslim World 1.1-2: 67-95. doi: https://doi.org/10.1163/26666286-12340003

Giunta, Roberta. 2009. “Coins from Al Balid, A Preliminary Report.” Unpublished ms, Office of the Advisor to HM the Sultan for Cultural Affairs: Muscat-Salalah.

Ibrahim, Moawiyah and Ali Tigani ElMahi. 1997. “A Report on Two Seasons of Sultan Qaboos University Excavations at Al-Balid, Dhofar 1996-7.” Unpublished ms. Office of the Advisor to HM the Sultan for Cultural Affairs: Muscat- Salalah.

Jansen, Michael, ed. 2015. “The Archaeological Park of Al-Baleed, Sultanate of Oman. Site Atlas along with selected Technical Reports 1995-2001.” Muscat: Office of the Adviser to His Majesty the Sultan for Cultural Affairs.

Newton, Lynne and Zarins, Juris. 2014. “A Possible Indian Quarter at al-Baleed in the Fourteenth-Seventeenth Centuries AD?” Proceedings of the Seminar for Arabian Studies 44: 257-76.

Orazi, Roberto. 2002. “The Harbour and City of Khor Rawri.” Journal of Oman Studies 12: 210-222.

Pavan, Alexia. 2020. “The Port of Al Baleed (southern Oman), the Trade in Frankincense and Its Coveted Treasures.” Polish Archaeology in the Mediterranean 29.1. doi:10.31338/uw.2083-537X.pam29.1.13

—. 2017-2018. “Husn Al Baleed: Civil and Military Architecture along the Indian Ocean in Medieval Times.” Journal of Indian Ocean Archaeology 13-14: 28-41.

Pavan, Alexia and Michele Degli Esposti, 2016. The Urban Shrine in Quarter A at Sumhuram: Stratigraphy, Architecture, Material Culture. Quaderni di Arabia Antica, Roma: L’Erma di Bretschneider.

Pavan, Alexia, Agnese Fusaro, Chiara Visconti, Alessandro Ghidoni, and Arturo Annucci. 2020. “New Researches at The Port of Al Balid and Its Castle (Husn): Interim Report (2016-2018).” The Journal of Oman Studies 21: 172 – 199

Pavan, Alexia, S. Laurenza, and R. Valentini, 2020. “Masonry and Building Techniques in a Medieval City Port of the Sultanate of Oman: Preliminary Typological Atlas at al-Balīd.Newsletter Archeologia 10.

Pavan, Alexia and Chiara Visconti. 2020. “Trade and Contacts between Southern Arabia and East Asia: The Evidence from al-Balīd (southern Oman).” Proceedings of the Seminar for Arabian Studies 50: 243–257.

Pirenne, J. 1975. “The Incense Port of Moscha (Khor Rori) in Dhofar.” Journal of Oman Studies 1: 81-96.

Yule, Paul and K.K. Mohammad. 2006/ 1998. “Report on Al-Baleed Pottery: Reference Collection,  RWTH Aachen University” Muscat: Office of the Adviser to His Majesty the Sultan for Cultural Affairs.

Zarins, Juris. 2007. “Aspects of Recent Archaeological Work at al-Balid (Zafar), Sultanate of Oman.” Proceedings of the Seminar of Arabian Studies 37: 309-24.

Zarins, Juris and Newton, Lynne. 2012 “Al Balid: Ancient Zafar, Sultanate of Oman. Report of Excavations, 2005-2011 and Salalah Survey.” Unpublished ms., Muscat-Salalah.

 

Selected references: Himbert, Rose and Usik – Pre-historic

Hilbert, Yamandu. 2013. “Khamseen Rock Shelter and the Late Palaeolithic-Neolithic Transition in Dhofar.” Arabian Archeology and Epigraphy 24: 51-8.

Hilbert, Yamandu, Ash Parton, Mike Morley, Lauren Linnenlucke, Zenobia Jacobs, Laine Clark-Balzan, Richard Roberts, Chris Galletti, Jean-Luc Schwenninger and Jeff Rose. 2015. “Terminal Pleistocene and Early Holocene Archaeology and Stratigraphy of the Southern Nejd, Oman.” Quaternary International 282: 250-263. https://www.sciencedirect.com/science/article/abs/pii/S1040618215001603

Hilbert, Yamandu, Jeff Rose and Richard Roberts. 2012. “Late Paleolithic Core Reduction Strategies in Dhofar, Oman.” Proceedings of the Seminar for Arabian Studies 42: 1-18.

Hilbert, Yamandú, Vitaly Usik, Christopher Galletti, Ash Parton, Laine Clark-Balzan, Jean-Luc Schwenninger, Mike Morley, Zenobia Jacobs, Lauren Linnenlucke, Richard Roberts and Jeffrey Rose. 2015. “Archaeological Evidence for Indigenous Human Occupation of Southern Arabia at the Pleistocene/Holocene Transition: The Case of al-Hatab in Dhofar, Southern Oman.” Paléorient 41.2: 31-49.

Rose, Jeff. 2022. An Introduction to Human Prehistory in Arabia: The Lost World of the Southern Crescent. New York: Springer.

Rose, Jeff and Yamandu Hilbert. 2014. “New Paleolithic Sites in the Southern Rub’ Al Khali Desert, Oman.” Antiquity 88.341. https://antiquity.ac.uk/projgall/rose341

Rose, Jeff, Yamandu Hilbert, Anthony Marks and Vitaly Usik. 2018. The First People of Oman: Palaeolithic Archaeology of the Nejd Plateau. Sultanate. Muscat: Ministry of Heritage and Culture.

Rose, Jeff, Vitaly Usik, A. Marks, Yamandu Hilbert, Chris Galletti, A. Parton, V. Černý, J. Geiling, M. Morley, and R. Roberts. 2011. “The Nubian Complex of Dhofar, Oman: An African Middle Stone Age Industry in Southern Arabia.” PLoS ONE 6(11) e28239.

Usik, Vitaly, Jeff Rose, Yamandu Hilbert, P. Van Peer, and Anthony Marks. 2013. “Nubian Complex Reduction Strategies in Dhofar, Southern Oman.” Quaternary International 300: 244-66.

 

Other selected references – pre-modern

Adam, Khalid and Liudmila Cazacova, 2012. “The Round Dhofari House Popularity Uniting the Past and the Present.” Proceedings of the 6th International Seminar on Vernacular Settlements. Eastern Mediterranean University, North Cyprus. 365-74.    

Bortolini, Eugenio and Olivia Munoz. 2015. “Life and Death in Prehistoric Oman: Insights from Late Neolithic and Early Bronze Age Funerary Practices (4th – 3rd mill. BC).” Proceedings of the Symposium: The Archaeological Heritage of Oman. Paris: UNESCO. 61-80.

Charpentier, Vincent, Jean-Francois Berger, Rémy Crassard, Fredico Borgi and Philippe Béarez. 2016. “Les Premiers Chasseurs-collecteurs Maritimes d’Arabie (IXe-IVe millénaires avant notre ère) [Early Maritime Hunter-Gatherers in Arabia] Archéologie des Chasseurs-collecteurs Maritimes. Catherine Dupont and Gregor Marchand, eds. Paris: Société Préhistorique Française. 345-66. https://www.researchgate.net/publication/311650424_Les_premiers_chasseurs-collecteurs_maritimes_d’Arabie_IXe-IVe_millenaires_avant_notre_ere

Charpentier, Vincent, Alex de Voogt, Remy Crassard, Jean-Francois Berger, Federico Borgi and Ali Al-Mashani. 2014. “Games on the Seashore of Salalah: The Discovery of Mancala Games in Dhofar, Sultanate of Oman.” Arabian Archaeology and Epigraphy 25: 115-120.

Cleuziou, Serge and Maurizio Tosi. 2020. In the Shadow of the Ancestors: The Prehistoric Foundations of the Early Arabian Civilization in Oman, second edition. Dennys Frenez and Roman Garba, eds. Muscat: Ministry of Heritage and Tourism.

Costa, Paulo. 2001. Historic Mosques and Shrines of Oman. Oxford: British Archaeological Reports.

—. 1983. “Notes on Settlement Patterns in Traditional Oman.” Journal of Oman Studies 6.2: 247-68.

Cremaschi, Mauro, Andrea Zerboni, Vincent Charpentier, Remy Crassard, Ilaria Isola, Eleonora Regattieri, Giovanni Zanchetta. 2015. “Early-Middle Holocene Environmental Changes and pre-Neolithic Human Occupations as Recorded in the Cavities of Jebel Qara (Dhofar, southern Sultanate of Oman).” Quaternary International 382: 264-76.

de Cardi, Beatrice. 2002. “British Archeology in Oman: The Early Years.” Journal of Oman Studies 12, 2002.

Garba, Roman. 2020. “Window 48- Triliths. Hinterland Monuments of Ancient Nomads. Window 48,” in In the Shadow of the Ancestors: The Prehistoric Foundations of the Early Arabian Civilization in Oman, second edition. Dennys Frenez and Roman Garba, eds.Muscat: Ministry of Heritage and Tourism. 500-10.

Garba, Roman, Alžběta Danielisová, Maria Pia Maiorano, Mahmoud Abbas, Dominik Chlachula, David Daněček, W. Al-Ghafri, Stephanie Neuhuber, Denis Štefanisko and Jakub Trubač. 20202. TSMO (Trilith Stone Monuments of Oman) Research Project Expedition Report of the 2nd Season 2019-2020. Muscat: Ministry of Heritage and Culture. https://www.researchgate.net/publication/341193620_TSMO_EXPEDITION_REPORT_OF_THE_2nd_SEASON_2019-2020_campaigns_TSMO_2A_2B_Ministry_of_Heritage_and_Culture_Sultanate_of_Oman

Garba, Roman and Peter Farrington. 2011. “Walled Structures and Settlement Patterns in the South-western Part of Dhofar, Oman (poster).” Proceedings of the Seminar for Arabian Studies 41: 95–100.

Hulton, Jessop and J. Smith. 1830. “Account of Some Inscriptions Found on the Southern Coast of Arabia.” Journal of the Royal Asiatic Society of Great Britain and Ireland 5.1: 91-101.

McCorriston, Joy, Michael Harrower, Tara Steimer, Kimberly D. Williams, Matthew Senn, Mas‘ūd Al Hādhari, Mas‘ūd Al Kathīrī, ‘Ali Ahmad Al Kathīrī, Jean-François Saliège and Jennifer Everhart. 2014. “Monuments and Landscape of Mobile Pastoralists in Dhofar: The Arabian Human Social Dynamics Project 2009-2011.” Journal of Oman Studies 12: 117-44.

Newton, Lynne. 2010. “Shrines in Dhofar,” in Death and Burial in Arabia and Beyond: Multidisciplinary Perspectives, Society for Arabian Studies Monographs 10. Lloyd Week, ed. 329-340.

Newton, Lynne and Juris Zarins. 2017. The Archaeological Heritage of Oman. Dhofar Through the Ages. An Ecological, Archaeological and Historical Landscape. Muscat: Ministry of Heritage and Culture Sultanate of Oman.

Potts. D. 2016. “Trends and Patterns in the Archaeology and Pre-Modern History of the Gulf Region,” in The Emergence of the Gulf States: Studies in Modern History. J.E. Peterson (ed.). London: Bloomsbury. 19-42.

Zarins, Juris. 2001. The Land of Incense: Archaeological Work in the Governorate of Dhofar, Sultanate of Oman, 1990-1995. Muscat: Sultan Qaboos University Publications.

Zerboni, Andrea, Alessandro Perego, Guido S. Mariani, Filippo Brandolini, Mohammed Al Kindi, Eleonora Regattieri, Giovanni Zanchetta, Federico Borgi, Vincent Charpentier and Mauro Cremaschi. 2020. “Geomorphology of the Jebel Qara and Coastal Plain of Salalah (Dhofar, southern Sultanate of Oman).” Journal of Maps 16:2, 187-198.

Zimmerle, William. 2017. Cultural Treasures from the Cave Shelters of Dhofar: Photographs of the Painted Rock Art Heritage of Southern Oman. Washington: Sultan Qaboos Cultural Center/Liberty Press.

—. Crafting Cuboid Incense Burners in the Land of Frankincense: The Dhofar Ethnoarchaeology Preservation Project. 2017. Washington: Sultan Qaboos Cultural Center/Liberty House Press.

Photos of houses in the Salalah area

I am very grateful to Ms. Onaiza Shaikh for these wonderful photos which show a range of design choices in the Salalah area of Dhofar. I would also like to mention that I asked for, and Ms. Shaikh kindly agreed to photograph, only houses that stood on main streets. As these are all private houses, I will not comment except by grouping them by styles and the selection is limited to houses whose owners know the structure will be always in the public eye, i. e. because of their location on heavily-trafficked roads, these houses are seen by hundreds of people every day. (Please note that colored swirls in the front of some of the houses are cars that were blurred out so the license plate does not appear.)

Examples of houses which incorporate older design elements such as load-bearing timbers and a wind tower

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Examples of houses with arched windows

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Examples of houses with Greco-Roman or Mediterranean style elements such as a pedimented portico and tiled roof-overhangs

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Examples of modern-style houses with facades incorporating several types of materials, dark colors, intricate designs and non-arched windows (e.g. narrow, extremely large, curved and/ or square)

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Example of rental house (the complete phone number of the rental company is written on the front, Ms. Shaikh has blurred out the last 4 digits)

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Houseways in Dhofar: Placement of Furniture and Sightlines

I am grateful to Maria Cristina Hidalgo [https://www.mariacristinah.com/ ] for her helpful plans and to my informants who have allowed me to chart their homes.

1) Perspective view of front hallway

The first point is that when one walks through the main door, there is often no furniture in sight. Sometimes there is a high, narrow table near the door to set things on that will be out of reach of children or one might be able to get a glimpse into the salle but, as the perspective below illustrates, most of the furnishings are out of sight.

Model

2) Ground floor plan with furniture

Below is a bird’s eye view of the same house, showing how, as is usual in Dhofari houses, all the furniture is placed against the wall except for the small, moveable tables in the salle and majlis which are put in front of guests (represented here with small squares).

Model

A few notes about the ground floor plan:

  • All the furniture is against the wall, most notable in the kitchen which has a small built-in table.
  • The salle is open to the main hallway but there is also a sliding door in the family salle and a door in kitchen, plus the outside door in the majlis. Thus, there could be four different types of visitors to the house at the same time who would not see each other because each were using a different door: male guests in the majlis, female guests in the salle, relatives in the family salle and a cleaner, repair person or someone bringing supplies such as drinking water or a gas canister into the kitchen.
  • The arch over the hallway at the far end separates the more public area (guest and family salles) from the family-only areas of the kitchen and one of the family suites.
  • The bedroom and maid’s room doors are set at 180 degrees from someone walking in from the front door; there is no way to see in “by chance.” Further, the beds are placed in such as way that they can only be seen if a person walks into the room.
  • There is constant air movement; the house has split ACs (meaning the motor is on the roof) and the kitchen and every bathroom has an exhaust fan which are usually on all the time.
  • There are five family suites on the upper floor, meaning the staircase is both the least used in terms of time (no one sits on the stairs) and most used in that every member of the house will use the stairs several times a day, except for the person living in the downstairs bedroom. For example, a women who does not cook might not enter the kitchen every day and a man might not have a reason to enter the salle for a week at a time.

3) Example of family suite

A door to the hallway which leads to a suite with a bathroom and two rooms is a very common floor plan in Dhofar; sometimes there is an additional store room. When a couple is newly married, one room is a bedroom and the other a sitting room. If they have several children, the suite will be set up as below, with one room for the parents and one for the children. When the children are older, they might be moved into a different suite which has one room with same gender relatives of the same age (siblings, cousins, etc.) and the second room as a study/ plan room. Only in very large houses would one person have a suite to themselves.

Model

Houseways in Southern Dhofar: Selected References

Abu-Lughod, Janet. 1987. “The Islamic City: Historical Myth, Islamic Essence and Contemporary Relevance.” International Journal of Middle East Studies 19.2: 155-176.

Akcan, Esra. 2014. “Postcolonial Theories in Architecture” in A Critical History of Contemporary Architecture (1960-2010). Elie Haddad and David Rifkind, eds. London: Ashgate. 119-40.

—. 2014. “Global Conflict and Global Glitter: Architecture in West Asia (1960-2010)” in A Critical History of Contemporary Architecture (1960-2010). Elie Haddad and David Rifkind, eds. London: Ashgate. 317-43.

Al Hinai, H., W. J. Batty and S. D. Probert. 1993. “Vernacular Architecture of Oman: Features that Enhance Thermal Comfort Achieved within Buildings.” Applied Energy 44.3: 233-244. 10.1016/0306-2619(93)90019-L

Al Ismaili, Ahmed. 2018. “Ethnic, Linguistic, and Religious Pluralism in Oman: The Link with Political Stability.” Al Muntaqa 1.3: 58-73.

Al Kathiri, Muna Salim and Liudmila Cazacova. 2014. “Islamic Architecture Features and Modern Housing: A Case Study of the North Awqad District in Salalah, Oman.” The International Journal of the Constructed Environment 4: 1-18.

Al Mohannadi, Asmaa Saleh, Raffaelo Furlan and Mark David Major. 2019. “Socio-Cultural Factors Shaping the Spatial Form of Traditional and Contemporary Housing in Qatar: A Comparative Analysis based on Space Syntax.” Proceedings of the 12th Space Syntax Symposium.

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Houseways: House plans

(drawings by Maria Cristina Hidalgo, https://www.mariacristinah.com/ )

Below are three houseplans with comments to help illustrate living spaces in Dhofar.Model

House 1 – It is easy to note that this is an older house, probably built in the 1980s or 90s, as it has the salle as the main, not separate, room. The second (back) door is also built off the salle, not from the kitchen as is usual in more modern houses. The unmarked room would be for storage. Also note that the internal door to the majlis opens directly into the salle; now there is usually a short hallway, or at least the entrance is set at an angle so there are no direct sight lines.

Model

House 2- Note that now the salle is now a separate room and there are two doors between the  majlis and the rest of the interior of the house so that the house feels more segmented. Also there is an internal door in the hallway, to give the two back bedrooms more privacy.

IMG_2010

House 3 – built approximately 2010.

These three examples show how the trend in housing is towards creating more closed off/ divided spaces. In house 1, a person sitting in the salle would have visual access to anyone coming or leaving; in house 2 someone in the salle could see the front door but in house 3 only a person sitting opposite the salle entrance could know who was coming or leaving. Likewise in house 1, someone in the kitchen could hear what was being said in the salle; in house 2, it would be more difficult but one could hear the sounds of people in the hallway. In house 3, the kitchen is very cut off from the rest of the house. In both houses 1 and 2, the majlis is separated from the rest of the house by the bathroom area and two doors. 

 

Houseways: House Construction, part 2

(photos by Onaiza Shaikh)

This is the second of two posts which show the stages of house construction in Dhofar. I am very grateful to Onaiza Shaikh for taking such clear and helpful photos of several houses to show the basic steps.

[Steps 1 – 6 are explained here: Houseways: House construction, part 1 ]

1 – prepare the plot by smoothing the ground and outlining the shape in white chalk

2 – excavating the footprint

3 – building a series of cement block squares that are painted with water-proof paint, then a rebar metal frame in placed inside and the inside is filled with liquid cement, then the surrounding space is re-filled with dirt

4 – creating the sub-base (plinth) and foundation slab by packing earth over the filled-in cement squares, then building up a low cement exterior wall (the outline of the house) and low cement block walls (the interior load-bearing walls), each of these sections are filled in packed earth then covered with a layer of cement – rebar is set into this foundation and sticks up from the smoothed cement base – the result is a base about one meter off the ground with smooth cement walls and a surface which is marked by the tops of cement blocks (6″ or more high) which show the outline of the interior walls

5 – building walls of cement block reinforced with columns of steel and cement (created from liquid cement that is poured into wooden forms constructed around the rebar)

6 – the house begins to take shape

(in this posting)

7 – poles are set up to support wooden forms for the ceilings/ roof/ floors of upper stories

8 – the second story is constructed

9 – the roof is poured using a stretch pumper and the roof wall is built

10 – the major construction is now finished and the house can stay in this unfinished state for months

11 – exterior finishing is added: plaster/ paint, windows and doors

12 – the boundary wall is built

Steps 7 – 9

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Steps 10 – 12

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Construction equipment

A note on house photos: I hired Onaiza Shaikh to take photos of design elements (such as windows) and house construction. Given that those photos show only a small part of the house or an unfinished house, it is not possible to tell whose house it is or where it is. Ms. Shaikh or I removed all identifying markers such as signs stating the owner’s name and any people, including workers. Photos of a complete house are a different matter. On one hand, I do not want to post a photo of a house that someone might recognize without the owner’s permission. On the other hand, if I post photos for which I have permission, i.e. photos of friends’ and informants’ houses, then many people in Dhofar will know the houses, thus know who my informants are. I have not yet figured out the answer to this problem.

Houseways: House construction, part 1

(photos by Onaiza Shaikh)

This is the first of two posts which show the stages of house construction in Dhofar. I am very grateful to Onaiza Shaikh for taking such clear and helpful photos of several houses to show the basic steps:

1 – prepare the plot by smoothing the ground and outlining the shape in white chalk

2 – excavating the footprint

3 – building a series of cement block squares that are painted with water-proof paint, then a rebar metal frame in placed inside and the inside is filled with liquid cement, then the surrounding space is re-filled with dirt

4 – creating the sub-base (plinth) and foundation slab by packing earth over the filled-in cement squares, then building up a low cement exterior wall (the outline of the house) and low cement block walls (the interior load-bearing walls), each of these sections are filled in packed earth then covered with a layer of cement – rebar is set into this foundation and sticks up from the smoothed cement base – the result is a base about one meter off the ground with smooth cement walls and a surface which is marked by the tops of cement blocks (6″ or more high) which show the outline of the interior walls

5 – building walls of cement block reinforced with columns of steel and cement (created from liquid cement that is poured into wooden forms constructed around the rebar)

6 – the house begins to take shape

(in second posting)

7 – poles are set up to support wooden forms for the ceilings/ roof/ floors of upper stories

8 – the second story is constructed

9 – the roof is poured using a stretch pumper and the roof wall is built

10 – the major construction is now finished and the house can stay in this unfinished state for months

11 – exterior finishing is added: plaster/ paint, windows and doors

12 – the boundary wall is built

Images for steps 1 – 3

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Images for steps 4 – 6

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